XVIII vek — vek voinskoi slavy Rossii (The eighteenth century — the century of Russia's military glory)
Moscow: Muzei-zapovednik Tsaritsyno, 2008. sewn pb. 203 p., 27 cm., approx. 150 color and b/w illus., Rus. More
Moscow: Muzei-zapovednik Tsaritsyno, 2008. sewn pb. 203 p., 27 cm., approx. 150 color and b/w illus., Rus. More
St. Petersburg: Galereia Borei / Borey Art Gallery, 2013. pb. Published in this gallery exhibition catalogue are drawings and lithographs of the 1980s that illustrate a direction of Soviet art that tuned out the political world. In a childlike and naive style, using blasts of color like pyrotechnics, the artist draws city..... More
St. Petersburg: Pavlovsk, 2017. Sewn pb. In this catalogue of an exhibition at Pavlovsk Museum-Preserve watercolors and drawings from Pavlovsk and the Cabinet Honoré d'Urfé by a leader of the early twentieth-century art movement World of Art capture a persistent theme of the period: the beauty and harmony of the..... More
St. Petersburg: Atlant, 2003. sewn cl. The extraordinary breadth of the arms collection of the Museum of Artillery, Engineering and Communication Troops (St. Petersburg) enables the author to survey the history of each kind of blade weapon as it developed in various countries of Europe. Although the majority of the..... More
Moscow: Belyi gorod, 2007. sewn cl. The Glinka museum is the heir of the short-lived Museum of Artistic Culture, which housed the excellent collection of Russian art built by N. S. Golovanov, who worked intermittently at the Bolshoi Theater between 1915 and 1953, eventually becoming its artistic director. His collection..... More
St. Petersburg: Herm, 2012. Sewn cl. This is the catalogue of an extensive Hermitage exhibition that aims to show the main stages of writing and written culture on the basis of works originally collected over many years and in many places by the eminent scholar and collector Nikolai Likhachev. Likhachev..... More
St. Petersburg: Herm, 2010. Sewn pb. Art historians will find much new visual documentation and research in this exhibition catalogue: the author has attributed and dated some of the drawings for the first time, and forty-five have never before been published. Some of the works are well-known creations of famous..... More
Moscow: Muz Maiakovskogo, 2010. sewn pb. Besides the insights into his life that Liudmila Maiakovskii's relationship with her brother provides, she was an artist and designer herself. As the photographs from the early twentieth century reveal, she was among the first women to make a career of design — in..... More
Piatigorsk: Sneg, 2003. Pb. In his landscape paintings Iaroshenko had a talent for capturing the sublime in nature — the magnificent mountain peaks and vast expanses of the Caucasus, bays and harbor and brilliant skies, In his portraits he was intimate with his subjects whether a shy peasant boy or..... More
St. Petersburg: Petergof, 2008. saddle-stitched. Books useful in the construction and design of Peterhof, such as Peter the Great’s collection of technical books from Western Europe covering hydraulics and gardening; the first guides to the palace at Peterhof; and sundry books from the imperial family’s library at Peterhof make up..... More
St. Petersburg: Rus muz, 2006. Sewn cl. Ionin studied with Petrov-Vodkin at the Academy of Fine Arts in St. Petersburg, assimilating Petrov-Vodkin’s sense of color and strong simple imagery. In Ionin’s works of the 1920s landscapes and portraits predominate, in a style that has been called Leningrad Realism. Together with..... More
St. Petersburg: Slavia, 1996. Sewn pb. This catalogue of an extensive Hermitage exhibition displays works from successive periods of Persian painting and drawing, in various media, and employing different techniques. The format is conducive to careful study of each work with many full-page details. Some works are published for the..... More
St. Petersburg: Herm, 2010. sewn cl. Three chapters introduce the catalogue: a brief history of Persian painting, in which changes in style and content are followed; Russia and Iran: diplomacy and art from the sixteenth to the nineteenth century, which sketches the circumstances that led to significant collections being built..... More
St. Petersburg: Herm, 2015. Sewn cl. This catalogue of an exhibition inspired by the famous travelogue of Ibn Battutah (14th c.) draws on the collections of the Hermitage to publish a cornucopia of works of fine and decorative art from the lands that Ibn Battutah visited in southern Europe, the..... More
St. Petersburg: Herm, 2004. sewn pb. This Hermitage exhibition catalogue combines detailed scholarship on individual works with a broad discussion of the Parmigianino’s popularity and influence beyond his native culture and period. The collection of the Hermitage is strong enough to publish 27 works by Parmigianino — one of which..... More
St. Petersburg: Slavia, 2017. Sewn pb. This catalogue of a Hermitage exhibition at Kazan publishes porcelain manufactured in tsarist St. Petersburg, Soviet Leningrad, and post-Soviet St. Petersburg. The works of the tsarist period reflected artistic styles of the nineteenth and early twentieth centuries, neoclassical, empire, and Russian revival, for example..... More
St. Petersburg: Herm, 2014. sewn pb. The series of annual Hermitage exhibitions published at year's end stems from a tradition of the tsarist period according to which the Imperial Porcelain Factory would make special works to be presented at Christmas time to the tsar. The theme of the 2014 exhibition..... More
St. Petersburg: Herm, 2019. Sewn cl. The history of porcelain at the St. Petersburg factory in continuous operation since the mid eighteenth century has interest from several points of view: as a flourishing artistic/industrial center that designed and produced masterpieces of decorative and applied art and, the theme of this..... More
St. Petersburg: Rosfoto, 2020. sewn cl. This volume of Rosfoto’s (Russian Museum and Exhibition Center of Photography) series on daguerreotypes in collections throughout Russia publishes works from seven museums, archives, and libraries from Novgorod and St. Petersburg to Nizhnii Tagil. Authors and curators provide detailed entries on each daguerreotype, describing..... More
St. Petersburg: Rosfoto, 2017. sewn cl. The Russian State Museum and Exhibition Center for Photography Rosfoto together with other Russian museums, libraries and archives has undertaken a catalogue of early photographs in the daguerreotype technique held at Russian institutions. The achievement is both scholarly and organizational — gaining access to..... More
St. Petersburg: Rosfoto, 2017. sewn cl. The Russian State Museum and Exhibition Center for Photography Rosfoto together with other Russian museums, libraries and archives has undertaken a catalogue of early photographs in the daguerreotype technique held at Russian institutions. Volume 5 publishes daguerrotypes, many for the first time, held by..... More
Krasnodar: Traditsiia, 2014. Sewn cl. The works of applied and decorative art originating in southern Russia and now kept in the Krasnodar Historical and Archeological Museum-Preserve comprise jewelry made from of gems and precious metals and other ornaments used to adorn clothing in ancient and medieval periods; arms, armor and..... More
St. Petersburg: Erarta, 2010. pb. Erarta Museum of Contemporary Art in St. Petersburg publishes here a survey of contemporary painting by including works by over one hundred Russian artists working in the last years of the twentieth and first years of the twenty-first centuries. Representative examples of the artists' works..... More
Chisinau: National Museum of the History of Moldova, 2014. Sewn cl. This rarely seen collection has works from Ukraine and Russia, but the majority originated locally in Moldavian churches, monasteries and home chapels. Some are expert canonical works; others show a naive and free folk painting style. The collection has..... More
Moscow: Moskovskii muzei sovremennogo iskusstva, 2017. Sewn cl. This catalogue of an exhibition at the Moscow Museum of Modern Art publishes an artist who after working with Pavel Filonov and the Collective of Analytical Artists became part of the Circle of Artists association in the 1920s and 30s distinguishing himself..... More