Moscow: Muzei Maiakovskogo, 2018. Sewn cl. Published here from collections of the Mayakovsky Museum and other museums are many visual documents on Mayakovsky and revolutionary artists and writers of his circle: contemporary drawings, caricatures, paintings, and photographs. Excerpts from writings by those who knew the avant-garde poet and artist add..... More
Moscow: Muzei izobrazitel'nykh iskusstv, 2017. Sewn pb. This catalogue of an exhibition at the Pushkin Museum of Fine Arts consists of drawings, prints, and sculptures by the late Soviet-Russian artist, whose unconventional human figures in otherworldly places are not science fiction but as he put it, “in general I am..... More
Helsinki: 1998. Pb. This catalogue of an exhibition at a Helsinki gallery publishes some of Repin’s earliest works and some of his latest. It also has variety of subject: there are examples of most genres the greatest Russian painter of the late nineteenth and early twentieth century worked in: portraiture..... More
St. Petersburg: Muzei nonkonformistskogo iskusstva / Dean, 2017. Sewn cl. The circle of artists and writers — Ry Nikonova, Sergei Sigei, A Nik (Nikolai Ansel'rod), Boris Konstriktora, Boris Kudriakov — that are the subject of this catalogue of an exhibition at the Museum of Nonconformist Art in St. Petersburg came..... More
St. Petersburg: Herm, 2011. sewn pb. The book publishes recent research by scholars studying the Egyptian collection of the Hermitage Museum. The compiler points out in his introduction that behind the artifacts presented lies the three-millennium-old history of Egypt and that every monument is associated with certain scholarly problems or..... More
Moscow: Muz russkogo impressionizma, 2018. Sewn pb. The theme of this catalogue of an exhibition at the Museum of Russian Impressionism is that the opportunity that the great collector of modern French art Sergei Shchukin gave to Russian artists to see in Moscow the works of the French Impressionists liberated..... More
St. Petersburg: Rus muz, 2018. Sewn cl. These paintings done from the 1980s to the present demonstrate the vitality of traditional genres such as the landscape and the still-life in contemporary art. In the still-life Dubov focuses on muted shadowy but homey corners of an interior—he paints the objects to..... More
St. Petersburg: Herm, 2019. Sewn pb. Works from museums in Naples and Pompei together with those from the Hermitage’s collection demonstrate both the aesthetic prowess of Roman art as seen in frescoes and sculpture and the achievements of everyday living visible in applied arts such as glass and furniture. Five..... More
St. Petersburg: Herm, 2019. Sewn pb. German, Italian, and Russian scholars collaborated on this catalogue of an exhibition at the Hermitage about a work of Roman sculpture dating to the second century A.D., which was found in Lombardy in 1836 and soon thereafter acquired by the Ancient Collection of State..... More
St. Petersburg: Herm, 2019. Sewn pb. This Hermitage exhibition catalogue publishes texts from a cluster of ancient manuscripts in Persian, Arabic, and Hebrew originally supposed to be from a Jewish family archive and a Muslim administrtive archive. They come from the National Library of Israel, which recently acquired them. To..... More
St. Petersburg: KGallery, 2018. Pb. The artist who is the subject of this gallery exhibition and catalogue came of age in the 1920s, a very rich and creative decade in the history of Russian and European art. He taught in Vitebsk and in the laboratory of the avant-garde VKhuTeMas (Vyshie..... More
Moscow: Ekaterina, 2011. Sewn pb. This catalogue of an exhibition focuses on a generation of artists who adhered to a representational style that is neither realistic nor academic. Initiated in part during the 1980s by Timur Novikov, who coined “new academism” for the works of artists (including his own) that..... More
Moscow: Herm, 2013. sewn pb. These works come from the Jonas Mekas Visual Arts Center in Vilnius and illustrate an international strain of contemporary art. ""Fluxus is an ironic synthesis of the myriad strands of art activities and details from life all around us. Fluxus is actually the 'stream of..... More
Sewn cl. This exhibition catalogue of the Russian Museum deals with two themes essential to Russian art history: the discovery and propagation outside Russian of Russian secular painting and the publicizing of modernist painting of the late nineteenth and early twentieth century. Both events occurred thanks to the energy of..... More
St. Petersburg: Herm, 2000. Pb. This book publishes new research and reprints articles by the scholars of Coptic art who were instrumental in building the Hermitage’s major collection. Biographical sketches of those who have worked with the collection since the nineteenth century, an annotated bibliography of publications on Coptic art..... More
St. Petersburg: Slavia, 1997. Sewn pb. These drawings and etudes exhibited at the Hermitage depict ruins in Italy, architectural fantasies, and arabesque interior designs; together they display the spectrum of Clérisseau’s talent and imagination. Catherine the Great was a patron of Clérisseau, and his works set the standard for neoclassical..... More
Moscow: Muzei izobrazitel'nykh iskusstv im. A. S. Pushkina, 2009 (2nd, enlarged and corrected edition). sewn pb. This catalogue has been the life work of the author who undertook in the 1960s a systematic and scholarly description of the Pushkin Museum’s collection of Japanese prints. The collection lacks early works of..... More
Moscow: Muzei izobrazitel'nykh iskusstv im. A. S. Pushkina, 2009 (2nd, enlarged and corrected edition). Sewn cl. Besides full descriptive data for each work, volume 2 also publishes written documents on the building of the collection, such as correspondence between S. N. Kitaev, the principal collector, and I. V. Tsvetaev, founder..... More
St. Petersburg: Herm, 2013. sewn cl. Having trained as a painter of military life and war, Peter von Hess accompanied the Bavarian field marshal Wrede in the campaign of 1814 against Napoleon. Battle painting was in vogue — a large gallery at Versailles and the Hall of Battle Paintings in..... More
St. Petersburg: Herm, 2013. sewn pb. The interest in dynastic ties in Europe grounds the first section of this catalogue of an exhibition at the Hermitage. The second section focuses on the inspired collecting of Willem II many fruits of which ended up in the Hermitage collection; approximately thirty museums..... More
St. Petersburg: Herm, 2012. sewn cl. The excavations in the late 1950s and early 1960s led by the author, the preeminent researcher in this area of Central Asia, occasioned discoveries in several spheres: first, Marshak defined the borders and contours of the Sogdian town of Penjikent in Central Asia; second..... More
St. Petersburg: Herm, 2015. sewn pb. These works were made to have the ornate character of jewelry and function as articles of costume. Exquisite metalwork adorned with enamel, semiprecious stones, and pearls, Porte-Bouquets made a fitting setting for the small bunches of flowers that women wore attached to their gowns. Most..... More
St. Petersburg: Herm, 2010. Sewn pb. The Rademakers Collection spans the first seven decades of the nineteenth century, with examples of nearly every genre and trend in the Romanticism of the Low Countries. There are summer and winter landscapes, seascapes and cityscapes, flower pieces and still lifes, nocturnes, portraits and..... More
Moscow: Evreiskii muzei, 2015. sewn pb. The crackdown by Stalin in the early 1930s nipped avant-garde art, and artists who did not conform to state-sanctioned styles were prohibited from exhibiting or worse if they did not conform. Some continuity was nevertheless attained by students of artists of the avant-garde and..... More
St. Petersburg: Tropa Troiaova, 2002 (1st abridged ed. 1900). sewn cl. In the second half of the nineteenth century Rovinskii did for folk painting what A. N. Afanas’ev did for fairy tales and V. I. Dahl’ for proverbs. In the two volumes published here in one book he compiles and..... More