Novosibirsk: Rossaziia, 2012. Second Edition. Pb. This concise catalogue publishes works by a major Russian painter of the first half of the twentieth century. Roerich painted in a style associated with the early twentieth-century World of Art movement, but his favorite subjects — Himalayan landscapes and medieval history — are distinctly..... More
St. Petersburg: Rus muz, 2017. Sewn cl. Pavel Filonov hasn't the same fame of some of the other artists of the Russian avant-garde, yet as this major show at the Russian Museum demonstrates, both stylistically and ideologically Filonov's art was through and through revolutionary and a match for any artist..... More
St. Petersburg: Rus muz, 2015. sewn cl. During World War II the Ural Mt. region was a refuge for works of art evacuated from museums in western Russian cities, especially Leningrad and Moscow. This catalogue of an original exhibition at the Russian Musuem celebrates on the 7th anniversary of the..... More
St. Petersburg: Rus muz, 2014. sewn cl. Tsereteli has been head of the Russian Academy of Arts and is well-known for his sculptural works. In this catalogue of an exhibition at the Ludwig Museum in the Russian Museum we see another side of creative life: his paintings of the early..... More
St. Petersburg: Rus muz, 2007. sewn cl. This exhibition catalogue of works from many sources outside Russia publishes lesser known works by avant-garde painters of the twentieth century such as Goncharova, Malevich, Larionov, Konchalovskii, A. Exter; by many well-known artists of late imperial Russia such as Repin, Somov, Roerich, Korovin..... More
St. Petersburg: Galereia / Gatchina, 2007. saddle-stitched. Many of the works in the eighteenth-century palace of Gatchina were lost during World War II, when Gatchina became the headquarters of the Nazis besieging Leningrad. This brief catalogue of an exhibition at Gatchina explores the theme of recovering lost historical artifacts and..... More
Moscow: Fond Mardzhani, 2009. Sewn pb. This catalogue of an exhibition at the Museum of the Orient (Muzei Vostoka) in Moscow publishes an extraordinary mélange of cultures captured during a brief period of the 1920s and early 30s, when art in the USSR was using the experimental forms of modernism..... More
![Chai, vino, poeziia (Tea, wine, poetry [in the visual culture of Asia]). T. K. Mkrtychev E. S....](/pictures/thumb/528.jpg?v=1539281008)
Moscow: Muz Vostoka, 2015. sewn pb. The role of drinking wine and tea in Asian culture is the theme of this catalogue of an exhibition at the Museum of the Arts of Asian Peoples (Museum of the Orient, Muzei Vostoka). Exhibited and published are works from the museum's collections used..... More
St. Petersburg: Herm, 2006. Sewn pb. The author points out the significance of Philipp Heinrich Müller’s work in European medal art; traces how Russian art adopted in the early eighteenth century Western European imagery; explains the use of the medals in diplomacy, service, and politics; and traces the history of..... More
St. Petersburg: KGallery? n.d. Sewn cl. These works, mainly sculptural figurines and services, are products of the preeminent porcelain factory in Russia, the successor of the Imperial Porcelain Factory known in the early 1920s as the State Porcelain Factory and after 1924 as the Leningrad Lomonosov Porcelain Factory. The first..... More
St. Petersburg: Rus muz, 2017. Sewn cl. . For this retrospective exhibition the Russian Museum has gathered works from twelve collections. Seeing these works together we can realize the breadth of Vasilii Vasnetsov's achievement. He has the command of detail of the great realists, the brilliance and drama of romanticism..... More
Moscow: Art-Volkhonka, 2012. sewn cl. These articles deal with various aspects of the masterpiece by Andrei Rublev and Danil commissioned by the Grand Prince of Moscow. Together they painted new frescoes for the twelfth-century Dormition Cathedral in Vladimir. The authors correct attribution and revise traditional views. Two other aspects of Russian art..... More
St. Petersburg: Rus muz, 2016. Sewn cl. This catalogue of a large exhibition at the Russian Museum attains several ends. It amasses enough examples —approximately 300 — to create a sense of a distinct genre: the artist's portrait of himself, usually unceremonial, introspective, and in the twentieth century ironic. And..... More
St. Petersburg: Slavia, 2009. Sewn pb. This catalogue of a Hermitage exhibition at Kazan covers the period when the works in various genres by French artists became the most imitated and admired art of Europe. The catalogue includes major artists and less well-known ones some of whose works are published..... More
Leningrad: Avrora / Muzei Vostoka, 1988. Sewn cl. This catalogue gives an overview of the collections of works come from Museum of the Arts of Asian Peoples (Muzei Vostoka, Museum of the Orient), including sculpture from Mongolia; painting, ceramics, and sculpture from Korea, prints, drawings, metalwork, sculpture, and ceramics from..... More
St. Petersburg: Muzei teatral'nogo i muzykal'nogo iskusstva, 2019. Sewn pb. From Mikhail Larionov’s design for a 1916 ballet “Russian Fairy Tales” and Malevch's costumes for "Victory over the Sun" to the designs for Dmitrii Shostakovich’s 1934 opera “Lady Macbeth of the Mtsensk District,” the last tsarist years, the revolutionary period..... More
St. Petersburg: Kunstkamera, 2014. Sewn cl. This is the first scholarly catalogue of extensive collection of Buddhist sculpture at Russia's oldest public museum, the Kunstkamera. Works come from Afghanistan, the Kashmir, India, Nepal, Tibet, China, Inner Mongolia, and Mongolia. The southern border of the Russian Empire extending through many regions..... More
St. Petersburg: Slavia, 2012. sewn pb. These works from the Russian Museum of Ethnography’s (St. Petersburg) vast collections were exhibited at the Kazan Kremlin in 2012. They display a spectrum of artistic culture of the Tartars: costume, jewelry, embroidery, weaving, ceramics, metalwork, leather mosaic, and dolls. Especially dazzling are the..... More
St. Petersburg: Pavlovsk, 2007. sewn pb. The art collections at Pavlovsk began to take shape in the 1780s, when Grand Duke Pavel Petrovich (the future Emperor Paul) toured Europe with his wife Maria Fedorovna. The architect Charles Cameron requested that they acquire sculptural works for the palace he was designing;..... More
St. Petersburg: Pavlovsk, 2011. sewn pb. In the introduction the author considers the sculptural works as parts of a great palace and park ensemble. She gives the history of the collection from those that form part of the original design of the palace to pieces that were added to correspond..... More
Moscow: Tret'iakovskaia galereia, 2019. Sewn pb. M TG This catalogue of a Tretyakov Gallery exhibition brings into focus an artist whose unconventional technique and self-education in Western Europe left him out of mainstream art history. The authors and curators cite Pokhitonov’s contemporaries such as Ilya Repin and Lev Tolstoi to..... More
St. Petersburg: Herm, 2005. sewn pb., Rare books and treatises on heraldry from the Hermitage Library are illustrated and described in this exhibition catalogue. The majority were published in Western Europe, especially Germany; others represent the interest in Russia in state and family symbols after Peter the Great introduced heraldic..... More
St. Petersburg: Herm, 2016. Sewn cl. The authors specify state of preservation; describe the method of binding, techniques and materials of printing; and give complete cataloguing data for each work. Books date to the sixteenth and seventeenth centuries, and are valuable as examples of early printed book art — some..... More
Moscow: Rip-Kholding, 2014 (1st ed. 1986). sewn cl., This monograph by the late historian of Asian art examines the distinct way in which book art evolved in Japan over 1500 years. Zavadskaia graduated from the history department of Moscow University in 1952, received an appointment at the Institute of Asian..... More
St. Petersburg: Rus muz, 2015. sewn cl. This Russian Museum exhibition catalogue draws together the works of two contemporary sculptors who have different styles but are akin in their attitude toward art and their world views. Exhibited and published here, Mikhail Dronov and Viktor Korneev, fit together not only because..... More