Khronika i plakaty Pervoi mirovoi voiny iz fondov Nauchnoi Biblioteki MGU im. M. V. Lomonosova
Moscow: DeLibri, 2014. 66 p. + 30 pls., approx. 120 color, sewn cl., Rus. More
The books imported by Bronze Horseman in this category range cover a gauntlet of forms, purposes, and styles: advertising posters from the late imperial period; cinemas posters of the 1920s, 30s, and 40s; World War II posters designed and published in Moscow that kept up morale even as Nazi troops threatened to encircle the capital; Soviet-era posters from the Museum of the History of Religion attacking priests and undermining the Russian Orthodox Church; and propaganda murals applied to the sides of trains to spread the Bolshevik cause during the first years of the Soviet regime. Major artists of the World of Art circle did advertising posters in the late tsarist period (e.g., Ivan Bilibin, Leon Bakst), just as those of the avant-garde did futurist broadsides (e.g., Vladimir Mayakovsky) and children's books employing photomontage (e.g., Gustav Klutsis)
Moscow: DeLibri, 2014. 66 p. + 30 pls., approx. 120 color, sewn cl., Rus. More
Moscow: Kontakt-Kul'tura, 2016. 1 portfolio witha a set of 22 postcards color, 18 x 13 cm. More
St. Petersburg: Solo SFK, 2008. Sewn Cloth. Beginning his career in the mid 1930s, Muratov became an expert draftsman, a core member of the group of Leningrad artists who were creating a strong body of graphic art for such publishers as the renowned Detgiz (State Children's Publisher). Especially vivid are..... More
Moscow: Kontakt kul'tura, 2014. sewn cl. The last years of the nineteenth century through the Soviet period are represented in this survey of posters depicting the old Muscovite capital as it assumed its preeminence again in the Soviet period and became a motif in political and commercial art of the..... More
Moscow: Kontakt-kul'tura, 2012. sewn cl. These posters from 1924 to the end of Soviet period show the creative trends in Soviet cinema art sometimes reflecting Western vogue, sometimes using distinctive imagery and the experimental graphics derived from the Russian avant-garde. Some of the posters especially the early works by artists..... More
Moscow: Kontakt-Kul'tura, 2017. sewn cl. This book publishes a private collection of posters on the theme of the 1917 revolution—182 works collected by Sergo Grigoriana, the first published in 1918 the last around 1980, with the majority dating to 1920s, 30s, and 40s. As Russia and the Soviet Union emphasized..... More
Moscow: Kontakt-kul’tura, 2015. sewn cl. These posters of the last decades of the Soviet period had a double purpose: as advertising everywhere they informed people what goods were available and sought to incite the impulse to buy those goods; they were also propaganda seeking through bright images of contemporary products..... More
Moscow: Kontakt-kul'tura, 2008. Sewn cl. This is the first publication of a unique visual record of World War II prints, photos, and posters created and compiled by a war artist Ivan Kharkevich. Kharkevich worked from 1941 to 1945 as an artist who did agitprop designs and drawings for propaganda posters..... More
St. Petersburg: Muzei istorii Sankt-Peterburga, 2017. Sewn cl. The catalogue of an exhibition at the Museum of the History of St. Petersburg publishes, often for the first time, paintings, drawings, posters, and archival photos showing the ways in which the 1917 revolution was celebrated in public art — banners draped..... More
St. Petersburg: Rus muz, 2015. sewn cl. Sixteen museums and collectors have contributed poster art, paintings, drawings, and prints to this Russian Museum thematic catalogue. Some works date to the last years of the imperial period (e.g., Aleksander Benois, Vasilii Shukhaev, Aleksandr Iakovlev); many were done during the Soviet period..... More
St. Petersburg: Rus muz, 2018. Sewn cl. Works of art published in this catalogue of an exhibition at the Russian museum portray, in various tones from idolatry to mockery, the thinker who inspired revolutions in Russia, the only major European country where Marx’s theories shaped society and government for almost..... More
St. Petersburg: Rus muz, 2018. Sewn cl. Works of art published in this catalogue of an exhibition at the Russian museum portray, in various tones from idolatry to mockery, the thinker who inspired revolutions in Russia, the only major European country where Marx’s theories shaped society and government for almost..... More
St. Petersburg: Evropeiskii univ, 2017. Pamphlet. El Lisitskii's famous poster published in 1918 became a visual leitmotif of later revolutionary imagery. The author in this concise publication puts Lisitskii's work in the context of poster art of the period, including an earlier wedge image published in Italy and war posters..... More
St. Petersburg: Borey Gallery, 2019. Saddle-stitched. This catalogue of a gallery exhibition publishes a contemporary artist's work inspired by the Islamic genre of Shamail, which combines imagery, often of a mosque, with words to create something like an Islamic icon. Also part of the exhibition are Abdullina's series of drawings..... More
Moscow: Russkii put', 2013. sewn cl. Over 300 examples of announcements and advertisements from the late nineteenth and early twentieth centuries, when the craft of attracting attention with simple images, ornamental graphics, and pithy slogans became a part of trade in tsarist Russia. 254 p., 28 cm., approx. 300 b/w..... More
St. Petersburg: Muzei politicheskoi istorii, 2004. sewn pb. In the late eighties and early nineties artists for the first time felt unshackled and free to express openly in their work the troubles of Soviet Russian society. The posters published here stem from such exhibitions of graphic art as the 1988..... More
St. Petersburg: Rus muz, 2014. sewn cl. . This catalogue of an exhibition at the Marble Palace of the Russian Museum publishes a cross-section of cinema poster art: styles from the late tsarist period, when the World of Art, Symbolist and Neo-Russian styles flourished, contrast with those of the avant-garde..... More
St. Petersburg: Rus muz, 2017. Sewn cl. This Russian Museum exhibition catalogue publishes much more the anthologized propaganda posters of previous survey books. The curators and authors have selected works that show how the propaganda poster fast evolved as an independent genre. The earliest examples follow the conventions of popular..... More
St. Petersburg: Rus muz, 2017. Sewn cl. This Russian Museum exhibition catalogue publishes much more than the anthologized propaganda posters of other survey books. The curators and authors have selected works that show how the propaganda poster evolved as an independent genre both in subject and style. The earliest examples..... More
St. Petersburg: Rus muz, 2017. Sewn cl. The 100th anniversary of the 1917 revolution has prompted reconsideration of the political upheaval's effect on all aspects of life: here the Russian Museum publishes works exhibited in a major show "Art Translated into Life," on the sweeping effort of the new regime..... More
St. Petersburg: Welcome, 2009. sewn cl. The first volume publishes postcards that capture salient events of the period, such as the 1917 revolution and the formation of the Provincial Government, and prominent leaders of the new USSR: Lenin, Stalin, Trotskii. 236 p., 27 cm., 776 color and b/w illus., Rus..... More
St. Petersburg: Welcome, 2009. sewn cl. This volume begins with a large section of postcards depicting the deeds of the Red Army. It includes a chapter of Eastern European anti-Soviet cards, and concludes with cards illustrating experimental photography techniques. 286 p., 27 cm., 1085 color and b/w illus., Rus. and..... More
St. Petersburg: Welcome, 2009. sewn cl. The last volume of this collection catalogue publishes postcards on such subjects as Children and Pioneers, the modernization of the country, the White Sea – Baltic Canal, and contemporary art including the last phase of the Russian avant-garde. 287 p., 27 cm., 1060 color..... More
St. Petersburg: Muzei istorii Sankt-Peterburga, 2018. Sewn pb. The Museum of the History of St. Museum, an historical museum very rich in visual documents and works of fine art, graphic art and decorative arts, presents silent film posters from several points of view: what they tell us about the history..... More
Moscow: Ad Marginem, 2015. Despite the diminutive size of the books in Ad Marginem’s line of publications “Names Project” / Seriia imena, they have serious footnoted summaries of the work of key twentieth-century artists and a core selection of their works. In this presentation of Rodchenko, famous as a photographer..... More