Moscow: DeLibri, 2014. 66 p. + 30 pls., approx. 120 color, sewn cl., Rus. More

St. Petersburg: Solo SFK, 2008. Sewn Cloth. Beginning his career in the mid 1930s, Muratov became an expert draftsman, a core member of the group of Leningrad artists who were creating a strong body of graphic art for such publishers as the renowned Detgiz (State Children's Publisher). Especially vivid are..... More

Moscow: Kontakt-kul'tura, 2012. sewn cl. These posters from 1924 to the end of Soviet period show the creative trends in Soviet cinema art sometimes reflecting Western vogue, sometimes using distinctive imagery and the experimental graphics derived from the Russian avant-garde. Some of the posters especially the early works by artists..... More

Moscow: Kontakt-kul’tura, 2015. sewn cl. These posters of the last decades of the Soviet period had a double purpose: as advertising everywhere they informed people what goods were available and sought to incite the impulse to buy those goods; they were also propaganda seeking through bright images of contemporary products..... More

St. Petersburg: Muzei istorii Sankt-Peterburga, 2017. Sewn cl. The catalogue of an exhibition at the Museum of the History of St. Petersburg publishes, often for the first time, paintings, drawings, posters, and archival photos showing the ways in which the 1917 revolution was celebrated in public art — banners draped..... More

St. Petersburg: Rus muz, 2018. Sewn cl. Works of art published in this catalogue of an exhibition at the Russian museum portray, in various tones from idolatry to mockery, the thinker who inspired revolutions in Russia, the only major European country where Marx’s theories shaped society and government for almost..... More

St. Petersburg: Evropeiskii univ, 2017. Pamphlet. El Lisitskii's famous poster published in 1918 became a visual leitmotif of later revolutionary imagery. The author in this concise publication puts Lisitskii's work in the context of poster art of the period, including an earlier wedge image published in Italy and war posters..... More

Moscow: Russkii put', 2013. sewn cl. Over 300 examples of announcements and advertisements from the late nineteenth and early twentieth centuries, when the craft of attracting attention with simple images, ornamental graphics, and pithy slogans became a part of trade in tsarist Russia. 254 p., 28 cm., approx. 300 b/w..... More

St. Petersburg: Rus muz, 2014. sewn cl. . This catalogue of an exhibition at the Marble Palace of the Russian Museum publishes a cross-section of cinema poster art: styles from the late tsarist period, when the World of Art, Symbolist and Neo-Russian styles flourished, contrast with those of the avant-garde..... More

St. Petersburg: Rus muz, 2017. Sewn cl. This Russian Museum exhibition catalogue publishes much more than the anthologized propaganda posters of other survey books. The curators and authors have selected works that show how the propaganda poster evolved as an independent genre both in subject and style. The earliest examples..... More

St. Petersburg: Welcome, 2009. sewn cl. The first volume publishes postcards that capture salient events of the period, such as the 1917 revolution and the formation of the Provincial Government, and prominent leaders of the new USSR: Lenin, Stalin, Trotskii. 236 p., 27 cm., 776 color and b/w illus., Rus..... More

St. Petersburg: Welcome, 2009. sewn cl. The last volume of this collection catalogue publishes postcards on such subjects as Children and Pioneers, the modernization of the country, the White Sea – Baltic Canal, and contemporary art including the last phase of the Russian avant-garde. 287 p., 27 cm., 1060 color..... More

Moscow: Ad Marginem, 2015. Despite the diminutive size of the books in Ad Marginem’s line of publications “Names Project” / Seriia imena, they have serious footnoted summaries of the work of key twentieth-century artists and a core selection of their works. In this presentation of Rodchenko, famous as a photographer..... More