Moscow: Muz vostoka, 2009. Pb. Thanks to five substantive articles and the range of material - fans originating in China, Japan, Western Europe, and Russia from four museums and six private collections - this catalogue of an exhibition at the Museum of the Orient (Muzei Vostoka) in Moscow will be... More

Moscow: Tret'iakovskaia galereia / Skanrus, 2014. Sewn cl. This is the catalogue of the first major exhibition devoted to the work of the theater artist whose creative costume and set designs not only gave a distinctive look to the Bolshoi Theater, but had an influence on other arts of the... More

St. Petersburg: Muzei teatral'nogo i muzykal'nogo iskusstva, 2015. sewn pb. Inspired by the period of theater art history when the artists designing sets and costumes became as vital to the ballet, opera, or drama as the composers, choreographers, dancers and writers, Nikita Lobanov-Rostovskii built an extraordinary collection of theater art... More

St. Petersburg: Slavia, 2012. sewn pb. These works from the Russian Museum of Ethnography’s (St. Petersburg) vast collections were exhibited at the Kazan Kremlin in 2012. They display a spectrum of artistic culture of the Tartars: costume, jewelry, embroidery, weaving, ceramics, metalwork, leather mosaic, and dolls. Especially dazzling are the... More

St. Petersburg: Rus muz, 2012. sewn cl. This Russian Museum catalogue publishes ornamental edgings of embroidery and lace from the museum’s collection. Most were used in folk tradition to decorate the sheets of the bridal bed and became part of bride’s dowry. The works were made predominantly in various towns... More

St. Petersburg: Kunstkamera, 2007. Beside the ethnographic interest of the Kunstkamera’s collection, the masks, helmets, weapons, woven articles, and shamans’ costumes typify the forceful imagery of primitive artifacts that was one of the wellsprings of modern art. The collection has a range from the everyday to the ornately ceremonial, and... More

Moscow: Sev pal, 2012. sewn cl. Scholars and curators will find in this handbook a rich visual source on the history of costume and textile design in northern Europe. Distinct styles and patterns of folk art, especially as seen in women's clothing, survived in Russia well into the twentieth century... More

St. Petersburg: Slavia, 2015. Sewn cl. The designs of contemporary textiles and clothing in the Russian Far East stem from the patterns used in traditional costume of the region. This catalogue of works by a contemporary designer from Yakutia illustrates the richness of the patterns, the unusual and beautiful compositions... More

St. Petersburg: Herm, 2016. Sewn cl. The drawings published in this Hermitage exhibition catalogue of an artist of Russian origin Roman Petrovich Tyrtov (in France Romain Petrovich de Tirtoff), whose artistic name was Erté, date to the teens, twenties, and thirties of the twentieth century, when the artist became a.... More

St. Petersburg: Rus muz, 1998. saddle-stitched. This brief Russian Museum catalogue summarizes the achievements of the lace-making craft of northern Russia around Vologda. The author illustrates her sketch with pieces from the late eighteenth century to the 1990s, points out the qualities of the materials, the preferred being flax, describes... More

St. Petersburg: Slavia, 2008. sewn cl., The panoply of costumes of the peoples of the Russian Empire published here not only documents an extraordinary variety of nations and cultures but conveys the beauty of forms, patterns, and colors that characterized traditional clothing. Related to both folk art and fashion, these... More

Moscow: Sev Pal, 2012. sewn pb. This handbook of the Russian Museum of Ethnography's collections of outer clothing is exceptionally rich and well documented: the ethnographers, researchers, scholars, and curators who built the collections emphasized from the start the importance of complete costumes, finding sources in the many regions of... More

Moscow: V. Shevchuk, 2014. pb. First published in 1945, this compilation gathers visual documents about the way the East Slavs dressed and how it could be accurately reproduced on the stage. Besides its relevance to theater design, the book has abundant material on the history of costume. A new introduction... More