St. Petersburg: Rus muz, 2016. Sewn pb. The authors look at many aspects of Russian art: avant-garde sculpture of the early Soviet period; the works of Malevich and Filonov and their students; identifying sitters in Rokotov's portraits; painting as a source on medals and awards; women's folk headdresses, and story-telling..... More

St. Petersburg: Ivan Limbakh, 2011. Sewn cl. The first entry discusses the Spiritual Academy and the last entry is on Concerts, which suggests the variety of material published in this unique handbook. The illustrations reproduced in color plates show costume, decorative arts, and cityscapes as they looked during Pushkin's lifetime..... More

St. Petersburg: Rekonstruktsiia, 2020. Sewn cl. The authors have examined many documents, written and visual, on military uniforms during the reign of the last tsar. They have tapped such museums as the Suvorov Military Museum and the Historical Military Museum of Artillery, Engineering and Signal Corps in St. Petersburg and..... More

Moscow: Rabochii i kolkhoznitsa, 2017 (?). Sewn pb. This catalogue about revolutionary clothing and styles suiting the new Soviet man and Soviet woman combines historical material such as drawings for costume and textile design by great avant-garde artists (e.g., Varvara Stepanova, Alexandra Exter, Liubov Popova, El Lisitskii, Liudmila Maiakovskaia, and..... More

Moscow: Tret'iakovskaia galereia / Skanrus, 2014. Sewn cl. This is the catalogue of an exhibition unfolds the career of an artist whose costume and set designs distinguished the performances of Moscow's Bolshoi Theater for several decades. Published are works of Fedorovskii from collections at the Bakhrushin Theater Museum, the Bolshoi..... More

St. Petersburg: Galereia, 2008. saddle-stitched. Drawings, paintings, and works of decorative art from the collections of the museum at Gatchina illustrate a colorful and not very well known chapter of Russian eighteenth-century history: the military force of approximately two and half thousand troops assigned by Catherine the Great to her..... More

St. Petersburg: Slavia, 2012. Sewn cl. Inspired by traditional Tatar and Islamic aesthetics, the foundation "Turan Art" was started outside Kazan in southern Russia to apply Tatar craftsmanship to the design of contemporary costume and accessories such as handbags and boots. Artists use gold and tambour embroidery and leather mosaic..... More

Tbilisi: Sak art velos Xelovnebis Sasaxle / Art Palace of Georgia, 2019. Sewn cl. In the first half of this monograph-catalogue the author musters many visual documents — manuscript miniatures, frescoes, paintings, drawings, prints, and actual articles of costure — to show how head coverings evolved in Georgia over several..... More

St. Petersburg: Muzei istorii Sankt-Peterburga, 2014. sewn pb. The ball was above all a spectacle, and the paraphernalia that was de rigueur - dresses, fans, glove cases, masks, costumes - make up a rich vein of visual culture. The works published in this catalogue of an exhibition at the museum..... More

St. Petersburg: 2013. Sewn cl. These blade weapons used by or awarded to those who served in the Russian navy are significant for the art history of arms and their provenance, for example, pieces wielded by Peter the Great, Emperor Paul, grand princes of the Romanov family. Most of the..... More

St. Petersburg: Rus muz, 1995. Sewn cl. 204 pages : illustrations (some color) ; 29 cm. More

St. Petersburg: Herm, 2020. Sewn pb. This is the first exhibition devoted to ecclesiastical vestments in the Hermitage's collection. The works themselves are presented as fine textiles — materials and techniques, styles and patterns are examined — and as a genre of costume. Most works originate with clergy that served..... More

St. Petersburg: Kunstkamera, 2007. Sewn pb. Besides the ethnographic interest of the Kunstkamera’s collection, the masks, helmets, weapons, woven articles, and shamans’ costumes typify the forceful imagery of primitive artifacts that was one of the wellsprings of modern art. The collection ranges from the everyday to the ornately ceremonial, and..... More