Simferopol: N. Orianda, 2013. 63 p. More

St. Petersburg: Herm, 2002. Saddle-stitched. Designed for the Hermitage's collection of Greek and Etruscan vases, the Hall of 20 columns reflects the mid-nineteenth-century view of antiquity: it is a space suited for art that is grand, harmonious, and restrained. It still fulfills the original purpose as a gallery for ancient..... More

St. Petersburg: Muzei-Zapovednik Petergof, 2019. Sewn pb. Authors and curators of this catalogue of an exhibition at Tsaritsyno Museum look into the role of the Peterhof suburban palace in the personal and public lives of the emperors and empresses of Russia. Archival photography show the interiors soon after the 1917..... More

Moscow: Svarog i K, 2000. Sewn cl. This study of the interiors of churches, palaces, public buildings, and private residences from the baroque to art nouveau teems with information on a less accessible area of Russian art and architectural history. 128 pp., 6 1/2 x 8 5/8 ins., 68 b-&-w..... More

Moscow: Sovetskaia Rossiia, 1989. Sewn cl. This overview of the art of inlaid wood draws on works of furniture and architectural designs for floors, walls, and doors to illustrate how architects and furniture makers refined the art in palaces of St. Petersburg and Moscow like Tsarskoe Selo, Oranienbaum, Pavlovsk and..... More

St. Petersburg: Abris / Petergof, 2001. Saddle-stitched. St. Petersburg’s suburban ensembles are famous for their palaces designed and constructed by outstanding Western European and Russian architects. Often overlooked are the ancillary buildings, which, however, were designed by the same talented architects who did the famous palaces. This concise survey shows..... More

St. Petersburg: Oranienbaum / Petronii, 2011. sewn pb. This catalogue of an exhibition at Oranienbaum Museum-Preserve uses various works of fine and decorative art, architectural drawings and plans, to show the way of life, taste, and collections at the great palace ensemble outside St. Petersburg first built by Peter the..... More

St. Petersburg: Slavia, 2014. sewn pb. The way styles of the past informed the decorative arts, architecture, and fine arts of Western Europe and Russia is the subject of this catalogue of Hermitage works exhibited at Kazan. Paintings, sculpture, and prints; furniture, porcelain, metalwork, and costume show the such  styles..... More

St. Petersburg: Abris / Petergof, 2003. saddle-stitched. This brief publication outlines the architectural and design of the masterpiece of Late Baroque style outside St. Petersburg designed by Bartolomeo Rastrelli. Section heads: Main staircase; Ballroom; Chesme Hall; Blue Reception Room; Throne Room; White Banquet Hall; Chinese Lobby; Picture Hall; Partridge Reception..... More

St. Petersburg: Herm, 2009. sewn pb. Today’s Hermitage Museum grew out of the palace built for the Russian imperial family in the 1750s, a central part of which was the church that Rastrelli incorporated into the palace. In the gilded and carved details of its walls and iconostasis, the Hermitage’s..... More

St. Petersburg: Herm, 2002. Saddle-stitched. Part of the New Hermitage, Van Dyck Hall is a splendid entrance hall to the building added to the Winter Palace and specifically designed as a gallery for the Hermitage's collections. Hung in the hall is the Hermitage's collection of paintings by Van Dyck. 27..... More

St. Petersburg: Avrora, 2013. This book studies an unusual event in museum conservation and architectural conservation: the decision to attempt an exact replica of the Amber Room designed by Bartolomeo Rastrelli for the Catherine Palace at Tsarskoe Selo in the 1750s and pillaged or destroyed during World War II. The..... More

St. Petersburg: Blits, 1998. pb. Overshadowed by grander suburban palaces, Rinaldi’s 1760s structure, named for Catherine the Great’s porcelain collection which it housed, comes forth in this monograph as a masterpiece of rococo style. 104 pp., 5 x 7 ins., 35 b-&-w illus., Rus. More