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St. Petersburg: Muzei Faberzhe, 2014. Pb. In addition to the jewelry, metalwork, and enamels by Fabergé and jewelers of other studios and workshop in Russia (e.g., Ovchinnikov), the Fabergé Museum in St. Petersburg has in its collections religious and secular paintings, wood carvings, and porcelain. This guidebook catalogues the collection..... More

St. Petersburg: Muzei Faberzhe, 2014. Pb. In addition to the jewelry, metalwork, and enamels by Fabergé and jewelers of other studios and workshop in Russia (e.g., Ovchinnikov), the Fabergé Museum in St. Petersburg has in its collections religious and secular paintings, wood carvings, and porcelain. This guidebook catalogues the collection..... More

1994. Sewn pb. This catalogue of works from private collections and five museums displays the rich culture of the Old Believers who fled to northwest Russia after the seventeenth-century schism. They illuminated manuscripts in their own scriptoria which became prized for characteristic lettering and graceful ornaments; they painted icons of..... More

Moscow: Herm, Fond Mardzhani, 2016. Sewn cl. This catalogue of a Hermitage exhibition at the Kazan Kremlin Museum publishes art and artifacts that originate in the areas along 1000-year old trade routes of Eastern Europe, the Near East, and Central Asia. The tools, artifacts, applied and decorative arts are now..... More

St. Petersburg: Herm, 2019. Sewn cl. This Hermitage monograph publishes and describes in detail for the first time the complete finds of a grave mound on the Prut River in modern Romania in the region dating to the fourth century. Researchers infer from inscriptions on the works facts that they..... More

St. Petersburg: Slavia, 2016. Sewn pb. Most of these works of Georgian metalwork date to the twelfth to the sixteenth century and have a tortuous provenance. As a Christian country from the fourth century Georgia had to fend off the inroads of aggressive neighbors of other faiths, which as a...... More

St. Petersburg: Gumanitarnaia akademiia, 2017. Sewn cl. In this elegantly produced survey of a frequent architectural element on St. Petersburg buildings of the nineteenth and early twentieth century, the author selects the most artistic examples from several stages of the city's architectural history (eclecticism and art nouveau, and neoclassicism) and..... More

St. Petersburg: Rus Muz, 2011. sewn cl. The vague title of this catalogue does not express the serious scholarly content of a catalogue that publishes an exhibition at the Russian Museum and the Tretyakov Gallery on the ways in which the Eastern Orthodox church commissioned, inspired, and cared for many..... More

Kazan: Zaman, 2002. Sewn cl. Ornamenting dress with gold and especially silver has for centuries been central to the aesthetics of the Islamic population of Kazan, the Tatars. Metalwork was used for jewelry and ornaments sewn into clothing, which had both a decorative and a talismanic purpose. The text combines..... More

St. Petersburg: Muzei istorii religii, 2014. Sewn pb. Icon lamps, crosses, bible covers, censers, icon frames, and chalices, most dating to the nineteenth and early twentieth century display the many ways in which commissions for the church and private shrines fostered fine metalwork. The author attributes the works to artists..... More

St. Petersburg: Herm, 2017. Sewn pb. Sculpture, parts of mosaics, metalwork, fragments of frescoes, jewelry, illuminate manuscripts, and icons show the full spectrum of artistic achievement in the Byzantine Empire. Based on years of research by the Hermitage curator of Byzantine and medieval Russian art, the book both catalogues the..... More

St. Petersburg: Herm, 2014. sewn cl. The origin of the Hermitage's great collection of ancient gold jewelry were the archeological digs led by Russian scholars in the late nineteenth and twentieth centuries. The gold made at the Greek colonies on the Black Sea has a unique style based on works..... More