Moscow: Muz Maiakovskogo, 2010. sewn pb. Besides the insights into his life that Liudmila Maiakovskii's relationship with her brother provides, she was an artist and designer herself. As the photographs from the early twentieth century reveal, she was among the first women to make a career of design — in... More

Novo Devichii, 2014. pb. Works of the sixteenth and seventeenth century are studied from art-historical point of view and as sources for the revival of the art among contemporary craftswomen. 92 p., 22 cm, approx. 60 color ad b/w illus., Rus. More

St. Petersburg: Slavia, 1996. Sewn pb. The Hermitage honored the 100th anniversary of the opening of Baron Alexander von Stieglitz’s museum-school with this exhibition of furniture, tapestries, majolica, porcelain, glass, textiles, embroidery, and jewelry. Many of these works were originally brought to St. Petersburg by Stieglitz and his collector-agents for..... More

Novgorod: Novgorodskii muzei-zapovednik, 2002. pb. These highlights of a collection of textile works for liturgical use — shrouds, palls, altar cloths, icon covers, and vestments — demonstrate that the embroiderers were as expressive and ingenious in depicting biblical and hagiographical scenes as were Russian icon- and fresco-painters. 32 p., 21... More

Moscow: Fond Mardzhani, 2013. Sewn cl. The works published in this catalogue of an exhibition at the Pushkin Museum of Fine Arts in Moscow come from an extraordinary private collection of Islamic art formed in Russia: the Mardjani Foundation. The Pushkin Museum of Fine Arts juxtaposes works from its collection... More

St. Petersburg: Rus muz, 2016. Sixteen museums, private collections, and archives contributed to this glorious Russian Museum exhibition on the last heyday of Novgorod's art. The enlightened and powerful churchman of the first half of the sixteenth century through church commissions spurred grand projects of printing and book publication, icon-painting... More

Moscow: Tatlin, 2016. Sewn cl. In the mid 1920s designs for textiles became a central interest of artists associated with Constructivism in Russia. The author shows that these designs striking as works of art themselves when realized shaped public taste and the ways in which subsequent modernist art movements developed. Shoe looks..... More

Moscow: Muz vostoka, 2013. Sewn pb. This catalogue publishes forms of textile art that have been extinct since the indigenous populations of Crimea were expelled by Stalin in 1944. The different coasts of Crimea and the inland steppe areas developed their own distinct traditions. Content: collections of Crimean weaving; outline... More

Moscow: Severnyi Palomnik, 2016. Sewn pb. Taking a simple pragmatic material and ornamenting according to local taste has given the republics of the former Soviet Union a new kind of jeans: solid and durable, but also colorful and distinct to the culture. Collection catalogue of the Russian Ethnographic Museum. The... More

St. Petersburg: Pavlovsk, 2012. sewn pb. The museum at Pavlovsk, bound as it is by the dimensions of the eighteenth-century palace, can keep only a small part of its collections on permanent display; hence the significance of the publication of complete collection catalogues that make available for researchers the museum’s..... More

Minsk: Belaruskaia navuka, 2013. Sewn cl. The knowledge, skills, and technologies to produce traditional women's clothing in Eastern Slavic society together with the aesthetic sense and awareness of mythological and folk imagery are the themes of this richly illustrated scholarly monograph. The role of folk costume in the twentieth century... More

Riazan: Riazan Historical and Architectural Museum Preserve, 2016. Pb. Focusing on the Riazan school as represented in the museum’s collection, the author outlines methods of embroidering, sources of fabrics, conventional patterns, the meaning of embroidered designs in folk lore and everyday peasant culture. 71 p., approx. 60 color and b/w... More