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Moscow: Muz Maiakovskogo, 2010. sewn pb. Besides the insights into his life that Liudmila Maiakovskii's relationship with her brother provides, she was an artist and designer herself. As the photographs from the early twentieth century reveal, she was among the first women to make a career of design — in..... More

St. Petersburg: Rus muz, 2019. Sewn cl. The second half of the twentieth century in the Soviet Union has receded far enough in time for historians of art to begin to recognize its most characteristic achievements. This catalogue of an exhibition at the Russian Museum publishes works from ten museums..... More

St. Petersburg: Slavia, 1996. Sewn pb. The Hermitage honored the 100th anniversary of the opening of Baron Alexander von Stieglitz’s museum-school with this exhibition of furniture, tapestries, majolica, porcelain, glass, textiles, embroidery, and jewelry. Many of these works were originally brought to St. Petersburg by Stieglitz and his collector-agents for..... More

Novgorod: Novgorodskii muzei-zapovednik, 2002. pb. These highlights of a collection of textile works for liturgical use — shrouds, palls, altar cloths, icon covers, and vestments — demonstrate that the embroiderers were as expressive and ingenious in depicting biblical and hagiographical scenes as were Russian icon- and fresco-painters. 32 p., 21..... More

Moscow: Gos Istoricheskii muzei (GIM), 2018. Sewn pb. Works from London, Paris, Berlin, Vienna, and various Russian sources illustrate the tastes and interests of a homey and widespread form of applied and decorative art. This first scholarly catalogue of the Historical Museum’s collection is nicely produced with large color plates..... More

St. Petersburg: Rus muz, 2001. sewn cl. The collection of the Russian Museum owes its rich sampling of works from the seventeenth to the nineteenth century to the inspired collecting of Nikolai Burdunov and the prerevolutionary collection of the Handicraft Museum in St. Petersburg, much of which passed to the..... More

Moscow: Sev pal, 2015. sewn pb. The first section of this collection catalogue publishes works of ecclesiastical cloth showing saints, angels, and biblical scenes . The works exhibit the level which embroiderers attained from the sixteenth to the eighteenth century in Russian workshops. Most of them originated around the monasteries..... More

Moscow: Muz vostoka, 2013. Sewn pb. This catalogue publishes forms of textile art that have been extinct since the indigenous populations of Crimea were expelled by Stalin in 1944. The different coasts of Crimea and the inland steppe areas developed their own distinct traditions. Content: collections of Crimean weaving; outline..... More

St. Petersburg: Pavlovsk, 2012. sewn pb. The museum at Pavlovsk, bound as it is by the dimensions of the eighteenth-century palace, can keep only a small part of its collections on permanent display; hence the significance of the publication of complete collection catalogues that make available for researchers the museum’s..... More

Minsk: Belaruskaia navuka, 2013. Sewn cl. The knowledge, skills, and technologies to produce traditional women's clothing in Eastern Slavic society together with the aesthetic sense and awareness of mythological and folk imagery are the themes of this richly illustrated scholarly monograph. The role of folk costume in the twentieth century..... More

Lviv: Maister knig, 2013. Sewn cl. The cloths used to cover the chalice, the paten, or both together were ornately designed: the varying colors from deep reds and brilliant greens to subdued blues and warm browns, the traditional compositions enlivened by regional distinctions, and the consummate skill of the artists..... More

St. Petersburg: Muzei istorii religii, 2017. Sewn pb. These works of church embroidery run the gamut from all forms of vestments, miters, coverings for icons, shrouds, aers, and icons. The pictorial icons are extraordinary for the lifelike expressions embroiders imparted to the faces. Influenced by Western European embroidery, an independent..... More