Textiles
Sokrovishcha drevnego Uglicha XV – XX vekov: dekorativno-priklanoe iskusstvo muzeinogo sobraniia [Uglichskogo istoriko-arkhitekturnogo i khudozhestvennogo muzeia] (Treasures of ancient Uglich of the 15th to the 20thcentury: decorative and applied arts from museum collections [of the Uglich Historico-Architectural and Art Museum]);; XV-XX : -
Moscow: Grand kholding / Uglichskii Historiko-arkhitekturnyi i khudozhestvennyi muzei, 2009. Sewn cl. Like most provincial museums Uglich Historical, Architectural, and Art Museum reflects the art of the region where it is located: the provenance of most works shows they come from monasteries, churches, and estates of the nobility in or..... More
Liudmila Maiakovskaia
Moscow: Muz Maiakovskogo, 2010. sewn pb. Besides the insights into his life that Liudmila Maiakovskii's relationship with her brother provides, she was an artist and designer herself. As the photographs from the early twentieth century reveal, she was among the first women to make a career of design — in..... More
V poiskakh sovremennogo stilia: leningradskii opyt. Vtoraia polovina 1950-kh – seredina 1960-kh godov (In search of a contemporary style: the Leningrad experiment of the late 50s and early 60s)
St. Petersburg: Rus muz, 2019. Sewn cl. The second half of the twentieth century in the Soviet Union has receded far enough in time for historians of art to recognize its most characteristic achievements. This catalogue of an exhibition at the Russian Museum publishes works from ten museums and private..... More
Zapadnoevropeiskoe prikladnoe iskusstvo XVI–XVIII vekov iz sobraniia Ermitazha (West European Applied Arts from the 16th to the 18th c. from the Collection of the Hermitage)
St. Petersburg: Slavia, 1996. Sewn pb. The Hermitage honored the 100th anniversary of the opening of Baron Alexander von Stieglitz’s museum-school with this exhibition of furniture, tapestries, majolica, porcelain, glass, textiles, embroidery, and jewelry. Many of these works were originally brought to St. Petersburg by Stieglitz and his collector-agents for..... More
Kovrotkachestvo narodov Rossiiskoi imperii (Carpet weaving by peoples of the Russian Empire)
Moscow: Vostochnoe literatura, 2007. sewn cl. The author covers the main ethnographic regions into which the Russian Empire is conventionally divided: Central Asia, Caucasus, Ukraine and Russia. She proposes new theories of the origins of carpet weaving not as usually thought among strictly nomadic peoples. She finds its roots in..... More
Armianskaia kollektsiia Gosudarstvennogo muzeiia istorii religii (Armenian Collection of the State Museum of the History of Religions)
St. Petersburg: Muzei istorii Religii, 2011. Sewn pb. The museum’s collection has paintings on religious subjects from the eighteenth to the early twentieth century. They represent several styles in which the Armenian church and artists dealt with sacred themes: icons, general biblical scenes, depiction of the main events in Armenian..... More
Bliki na kovre. Kovry i zhivopis’ Valeriia Sakhatova (Flashes on a carpet: carpets and paintings by Valerii Sakhatov)
Moscow: Fond Mardzhani / Muzei Vostoka, 2014. Sewn pb. The artist whose paintings are published in this catalogue of an exhibition at the Museum of the Orient (Muzei Vostoka) has a style continuously evolving from compositions of colors and forms to vaguely representational depictions of figures and places. Inspired by..... More
Risunki dlia schetnoi vyshivki: skhemy XIX veka v sobranii Istoricheskogo muzeia (Drawings for embroidery: 19-century patterns in the collection of the Historical Museum)
Moscow: Gos Istoricheskii muzei (GIM), 2018. Sewn pb. Works from London, Paris, Berlin, Vienna, and various Russian sources illustrate the tastes and interests of a homey and widespread form of applied and decorative art. This first scholarly catalogue of the Historical Museum’s collection is nicely produced with large color plates..... More
Pravoslavnye tserkovnye oblacheniia XVII – nachala XX veka v sobranii Ermitazha (Russian Orthodox church vestments from the 17th to the early 20th century in the Hermitage collection)
St. Petersburg: Herm, 2020. Sewn pb. This is the first exhibition devoted to ecclesiastical vestments in the Hermitage's collection. The works themselves are presented as fine textiles — materials and techniques, styles and patterns are examined — and as a genre of costume. Most works originate with clergy that served..... More
Turkmenskie kovry / Turkmen Carpets
St. Petersburg: Rus muz, 2001. sewn cl. The collection of the Russian Museum stems from collections built in the pre-Revolutionary period, first, from the inspired collecting of Nikolai Burdunov and, second, from the Handicraft Museum in St. Petersburg, whose works passed to the Russian Museum after its closing. The author..... More
Litsevoe shit'e i antiminsy v sobranii Pereslavskogo muzeiia-zapovednika (Embroidery with images and [antiminsy] from the collection of the Pereslav Museum-Preserve)
Moscow: Sev pal, 2015. sewn pb. The first section of this collection catalogue publishes works of ecclesiastical cloth showing saints, angels, and biblical scenes . The works exhibit the level which embroiderers attained from the sixteenth to the eighteenth century in Russian workshops. Most of them originated around the monasteries..... More
Dekorativno-prikladnoe iskusstvo narodov Kavkaza XVIII – XX vv. (Decorative and Applied Arts of Caucasian Peoples, 18th – 20th c.)
Moscow: Muz Vostoka, 2009. pb. The author surveys a complex subject in a concise manner in an attempt to give an integrated picture of the arts of the peoples of the Caucasus. The basis of her study is the collection of the State Museum of Arts of Asian Peoples in..... More
Uzornoe tkachestvo narodov Kryma v sobranii Gosudarstvennogo muzeiia Vostoka (Pattern weaving of Crimean peoples at the State Museum of Oriental Art)
Moscow: Muz vostoka, 2013. Sewn pb. This catalogue publishes forms of textile art that have been extinct since the indigenous populations of Crimea were expelled by Stalin in 1944. The different coasts of Crimea and the inland steppe areas developed their own distinct traditions. Content: collections of Crimean weaving; outline..... More
Ermitazhnaia entsiklopediia tekstilia. Restavratsiia. Katalog vystavki / The Hermitage Encyclopedia of Textiles. Conservation. Exhibition Catalogue
St. Petersburg: Herm, 2017. Sewn pb. This is the kind of exhibition and catalogue that only the Hermitage could do - 387 pages of detailed commentary and profuse illustrations on textiles of all kinds (hence "encyclopedia"), from the obvious such as ecclesiastical vestments (Christian and Buddhist), military uniforms, and dress..... More
Liubov' Popova: forma, tsvet, prostranstvo / Lubov Popova: Form, Color, Space
Moscow: Kuchkovo pole, 2019. Sewn pb. Every genre seems to have been kindred to Popova: besides her famous paintings in which she experimented with form and color after studying with the cubists in Paris, she designed and illustrated posters (slogans and announcements), devised textiles and clothing in the style of..... More
Gosudarstvennyi muzei-zapovednik Pavlovsk: Polnyi katalog kollektsii, tom IV, Tkani, vypusk 2, dekorativnye vyshivki (State Museum- Preserve Pavlovsk: Complete Catalogue of the Collections, vol. IV, Textiles, vypusk 2, Decorative Embroidery)
St. Petersburg: Pavlovsk, 2012. sewn pb. The museum at Pavlovsk, bound as it is by the dimensions of the eighteenth-century palace, can keep only a small part of its collections on display and hence the significance of the publication of complete collection catalogues that make available for researchers the museum’s..... More
Gosudarstvennyi muzei-zapovednik Pavlovsk: Polnyi katalog kollektsii, tom IV, Tkani, vypusk 3, Imperatorskii i velikokniazheskii kostium serediny XVIII – pervoi treti XIX veka (State Museum- Preserve Pavlovsk: Complete Catalogue of the Collections, vol. IV, Textiles, vypusk 3, Costume of the Imperial Family and Grand Dukes and Duchesses, 18th to first third of the 19th c.)
St. Petersburg: Pavlovsk, 2018. sewn pb. 229 p., 8 3/8 x 10 3/4 ins., 2 b-&-w illus., approx. 200 color illus., Rus., More
Tkan' avangarda (Avant-Garde textiles)
Moscow: Rip-Kholding, 2020. Sewn cl. The experimental forms of the Russian Avant-garde were expressed in every branch of fine and applied art. Focusing on textiles of the 1920s and early 30s, the author of this monograph connects painting and drawing with clothing design, theater costumes with abstract art, schools of..... More
Sokrovishcha Iaroslavlia XIII – nachala XX. Izdeliia iz zolota, serebra, dragotsennnykh tkanei s kamniami, zhemchugom, emaliami. Putevoditel’ po ekspozitsii (treasures of the 13th to the early 20th century. Works from gold and silver, textiles with gems, pearl and enamel: guide to the collections)
Moscow: Sev pal, 2015 (1st ed. 2009). Sewn pb. Although the word guidebook implies a list of many items with brief entries about each one, this book is more a scholarly monograph about ecclesiastical art held in the Yaroslav State Historical, Architectural, and Art Museum-Preserve. Especially useful are the abundant..... More
Belorusskii narodnyi tekstil': khudozhestvennye osnovy, vzaimosviazi, novatsii (Belorussian folk textiles: artistic foundations, parallels, innovations)
Minsk: Belaruskaia navuka, 2013. Sewn cl. The knowledge, skills, and technologies to produce traditional women's clothing in Eastern Slavic society together with the aesthetic sense and awareness of mythological and folk imagery are the themes of this richly illustrated scholarly monograph. The role of folk costume in the twentieth century..... More
Riazanskaia vyshivka iz kollektsii RIAMZ [Riazanskogo istoriko-arkhitekturnogo muzeia zapovednika](Riazan embroidery from the collection of the Riazan Historical and Architectural Museum Preserve)
Riazan: Riazan Historical and Architectural Museum Preserve, 2016. Pb. Identifying the distinct aesthetic and technical characteristics of Riazan embroidery, the author outlines methods of embroidering, sources of fabrics, conventional patterns, the meaning of embroidered designs in folk lore and everyday peasant culture. Works from a museum rarely seen by scholars..... More
Liturgiini pokrovy na chashu i dyskos iz katalogom tvoriv iz figuratyvnymy zobrazhenniamy zi zbirky Natsional’nogo muzeiu u L’vovi imeni Andreia Sheptyts’kogo (Liturgical Cloths for Chalice and Paten from the Collection of the Andrei Sheptytskyi National Museum, L’viv)
Lviv: Maister knig, 2013. Sewn cl. The cloths used to cover the chalice, the paten, or both together were ornately designed: the varying colors from deep reds and brilliant greens to subdued blues and warm browns, the traditional compositions enlivened by regional distinctions, and the consummate skill of the artists..... More
Sokrovishcha drevnego Iaroslavlia: starinnye tkani i proizvedeniia litsevogo i ornamental’nogo shit’ia (Masterpieces from old Yaroslavl: medieval textiles, embrodered icons, ornamental embroidery)
Moscow: Grand Kholding, 2010. Sewn pb. The authors catalogue and describe ninety-one textile works originating in the Yarislavl area and now preserved in various museum and private collections. Artist-craftswomen embroidered often on fine Western European fabrics images of saints outlined with pearls and filigree. Vestments and altar cloths also display..... More
Udmurt kalyk puzhyiaton / Udmurtskaia narodnaia vyshivka / Udmurt Folk Embroidery
Izhevsk: Udmurtiia, 2009. Sewn pb. This catalogue publishes examples of embroidery from the collection at the Udmurt Gerda National Museum. Most works date to the nineteenth century and demonstrate the distinct aesthetic of the Ural Mountain people — deep colors, original patterns, high level of craftsmanship. 88 p., approx. 200..... More