St. Petersburg: Nevskii rakurs, 2010. sewn cl. The author researches the architecture and interior design of St. Petersburg buildings and ensembles from the point of view of their materials, predominantly stone including ornamental stones quarried in the Urals and semiprecious gems used in decorative arts. Her work is based on..... More
St. Petersburg: Herm, 2019. Sewn cl. The title of this Hermitage collection catalogue refers to the provenance of the works catalogued here: the part of the Hermitage’s collection that originated with the donation, purchase, or nationalization of private collections. This distinguishes the works here from the part of the Hermitage’s..... More
St. Petersburg: Herm, 2015. sewn cl. The art that is the subject of this volume of the catalogue of the Hermitage's collection had several periods of revival and flourishing after being brought to perfection in classical Greece. Emulating the arts of classical Greece and Rome, stone engravers in the Renaissance..... More
St. Petersburg: Herm, 1994. sewn cl., The minerals of the Ural Mountains and the collecting fever of eighteenth-century emperors and empresses were conducive to active native cameo production to supplement imports. Examples from the Hermitage collection show many examples from different periods. 190 pp., 5 1/2 x 8 1/4 ins...... More
St. Petersburg: Herm, 2019. Sewn cl. This book is about collecting taste as much as stone-carving, and the index identifies those who commissioned the works, bought them at international exhibitions, or received them as diplomatic gifts, many of whom were members of European royal families. The author has selected illustrations..... More
St. Petersburg: Ars, 2004. sewn cl. In the first volume of a three-volume survey of the Hermitage's collection of applied and decorative arts curators and scholars of the Hermitage Museum covers tapestries, textiles, stone-carving, porcelain, and glass. Detailed entries describe each work, its stylistic and technical characteristics, trace provenance, and..... More
St. Petersburg: Herm, 2020. Sewn pb. The works of Carl Fabergé's studios had no direct followers after the 1917 revolution. The consummate level of craftsmanship, the richness of materials, benefiting especially from Russia's mineral and gem deposits, and the flight of fancy that characterize Fabergé's best works demanded a clientele..... More
St. Petersburg: Mednyi vsadnik, 2018. Sewn pb. As this survey of the products of Fabergé’s workshops demonstrates, characterizing Carl Fabergé as a jeweler is an understatement. He created designs in almost every form of decorative and applied arts using all technologies and materials from glass and enamel to silver and..... More
St. Petersburg: Muzei Faberzhe, 2015. Saddle-stitched. This catalogue of the Fabergé Museum in St. Petersburg draws on the museum's archives to show how the great era of jewelry design led by Carl Fabergé was not confined to St. Petersburg. The Russian court often refreshed themselves on the Black Sea, and..... More