St. Petersburg: Rus muz, 1996. saddle-stitched. Alisa Liubimova Works of the 1920s and 1930s from the Russian Museum display Lizak’s singular talent for melding abstract and realistic conventions. 48 pp., 8 1/4 x 11 3/4 ins., 3 b-&-w illus., 24 color, , Rus. and Eng, Series: Neizvestnye imena XX veka..... More
Moscow: Herm, Fond Mardzhani, 2016. Sewn cl. This catalogue of a Hermitage exhibition at the Kazan Kremlin Museum publishes art and artifacts that originate in the areas along 1000-year old trade routes of Eastern Europe, the Near East, and Central Asia. The tools, artifacts, applied and decorative arts are now..... More
St. Petersburg: Kolo, 2020. Sewn pb. The works of enamel tiles that distinguish late nineteenth- and early twentieth-century interiors and façades in Russia came from a relatively small number of craft factories. This monograph focuses on the enamel tile workshop/factory of Mikhail Kharlamov in St. Petersburg. Founded by his father..... More
St. Petersburg: Rosfoto, 2019. pb. These articles are based on papers from the annual conference organized by Rosfoto, the museum on contemporary and historical photography in St Petersburg. They publish photographs from museums, archives, and libraries, and private collections around Russia and research on the history of photography, photographic conservation..... More
Kazan: Zaman, 2020. Sewn pb. This catalogue of a large exhibition in Kazan on post-war Soviet art enables us to infer which styles and genres prevailed in the last few decades of the Soviet period. The latitude that artists enjoyed during the Thaw of the late 1950s and 60s broke..... More
St. Petersburg: Evropeiskii univ, 2014. pb. Lisitskii's red wedge cracking into a white circle together with the pithy caption "Smash the Whites" would have been one of many propaganda posters of the period of the civil war (1919– 21) had not the work itself been a masterpiece of spare geometric..... More
Moscow: Gosudarstvennyi Institut iskusstvoznaniia, 2019. Sewn cl. The foremost specialist on Western European illuminated manuscripts in Russian collections broaches large questions on the history of miniatures and painting in medieval Western Europe in the first section of this book (especially French manuscripts of the fifteenth century after the 100 Years..... More
St. Petersburg: Rus muz, 2015. sewn cl. During World War II the Ural Mt. region was a refuge for works of art evacuated from museums in western Russian cities, especially Leningrad and Moscow. This catalogue of an original exhibition at the Russian Musuem celebrates on the 7th anniversary of the..... More
Moscow: Gos Istoricheskii muzei (GIM) / Kuchkovo pole, 2013. Sewn cl. Many of these works from the exhibition at the State Historical Museum (Moscow) are seldom seen: masterpieces of metalwork from the National Historical Museum in Sophia, Bulgaria, make up the majority of works, but six regional museums in Bulgaria..... More
St. Petersburg: Propileia, 2009. Sewn cl. This catalogue of works produced at Russia's and one of Europe's oldest porcelain factories publishes pieces from all periods of the factory's history. . The occasion for the publication is the anniversary of the factory founded in 1744 and the merger of its historical..... More
St. Petersburg: Rus muz, 2013. Sewn cl. This catalog of an exhibition at the Russia Museum makes accessible approximately 20 drawings and paintings by the greatest artist of the romantic period in Russia. The works have not previously been accessible to researchers. The study of these works from private collections..... More
St. Petersburg: Rus muz, 2012. Sewn cl. This catalog of the Russian Museum’s collection of painted and sculpted portraits surveys how artists from the late eighteenth century through the Soviet era saw the human face. As a source for information on costume and historic personages the portraits are of interest..... More
St. Petersburg: Slavia, 2009. Sewn pb. This publication of popular prints now held at the Institute of Oriental Manuscripts of the Russian Academy of Sciences offers a close look at a phenomenon of Chinese art, printmaking and propaganda of the nineteenth century: so-called export prints consisting of an image of..... More
St. Petersburg: GAMAS / Herm, 2010. Sewn cl. Yurii N. Rerikh, eldest son of the painter, philosopher, and social activist Nikolai Roerich, went on his first expedition to the Himalayas in 1923, during which he began collecting Tibetan paintings, becoming a pioneering researcher of Tibet of tangkas. The paintings he..... More
St. Petersburg: KGallery, 2012. The artists published in this substantive catalogue of a gallery exhibition formed a loose association based on their interest in using a traditional representative style rather than an abstract or symbolic one to depict their subjects. At the same time, they sought new ways to interpret old subjects. Most..... More
Moscow: Muz Maiakovskogo, 2015. sewn pb. The image Mayakovsky shaped can be inferred from actual articles of clothing, drawings, caricatures, and photographs from the Mayakovsky Museum published in this catalogue. Such articles as ties from prestigious haberdashers in New York, Parisian overcoats, and a posh Russian astrakhan indicate that the..... More
St. Petersburg: Avangard na Neve, 2006. sewn cl. These paintings done from the 1970s to the early 2000s are difficult to characterize: the artist has his say about the late Soviet world through somber colors and satire in a style that is basically realistic. As part of the Leningrad underground..... More
St. Petersburg: Herm, 2020. Sewn cl. The Hermitage's eminent curator of Western-European painting looks closely at the museum's masterpiece St. Peter and St. Paul from several points of view. She interprets the content as a possible dialogue between Peter and Paul inferring from their countenances and postures how each one..... More
St. Petersburg: Tsarskoe Selo, 2000. Sewn pb. This exhibition catalogue publishes works of artistic, architectural and historical significance from the collections of one of St. Petersburg’s great suburban palace-museums Tsarskoe Selo Museum-Preserve. The art collections and the interiors of the palace reflect the taste and interests of the Russian imperial..... More
![Petrov-Vodkin: v tsentre zhizni zhiznei. Vospominaniia, pis’ma, dokumenty ([Kuz’ma] Petrov-...](/pictures/thumb/3007.jpg?v=1548789925)
St. Petersburg: Arka, 2018. Sewn cl. Memoirs by the painter’s daughter, recollections of a close friend, and articles on Petrov-Vodkin’s art together with his own writings illuminate his career and artistic life in Soviet Russia from the 1920s to the 1960s. His art is difficult to characterize: he painted in..... More
Moscow: Al'ians-Arkheo, 2013. sewn cl. The articles compiled here from 1964 to 2006 teem with knowledge about the history of the art of engraving in Russia and its significance as a visual source in European visual culture, for example, in chronicling the construction of the imperial capital during Peter the..... More
St. Petersburg: Ars, 2009. sewn cl. In the third volume in this encyclopedia of applied arts curators and scholars of the Hermitage Museum interweave concise histories of various branches of applied and decorative arts in St. Petersburg—gold and silverwork, ivory carving, lacquer painting, porcelain of private factories, medals. The entries..... More
St. Petersburg: ARS, 2002. Sewn cl. Since the pioneering byzantinist and discoverer of medieval Russian art Nikodim Kondakov first studied them in 1899, these late twelfth-century wall-paintings, meticulously restored after damage in World War II, have challenged the knowledge and interpretive skills of scholars of Byzantine and early Russian art..... More
St. Petersburg: Slavia, 2019. Sewn pb. This catalogue of an exhibition at the Russian Ethnographic Museum publishes artifacts and art demonstrating the high level of artistry, taste and technical prowess that shaped works of applied art from drinking vessels to jewelry and armor. The use of animal and human imagery..... More
Moscow: Gileia, 2002. Sewn cl. Rozanova though she died young (1918) had a major impact on the development of the Russian avant-garde not only as participant (painter, book designer) but also as thinker who formulated the principles of new forms of art, which she saw in symbiosis with new literary..... More